By Michael Paschalis; Stavros Frangoulidis (ed.)
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Additional resources for Ancient Narrative: Supplementum 1 Space in the Ancient Novel
1990. Dionysius I: War-lord of Sicily, New Haven: Yale University Press. Clarke, K. 1999. Between Geography and History: Hellenistic Constructions of the Roman World, Oxford: Oxford University Press. Corbato, C. 1968. ‘Da Menandro a Caritone. Studi sulla Genesi del Romanzo Greco e i suoi Rapporti con la Commedia Nuova’, Quaderni Triestini sul Teatro Antico 1, 5-44. de Souza, P. 1999. Piracy in the Greco-Roman world, Cambridge: Cambridge University Press, 185-195. Edwards, D. R. 1985. ‘Chariton’s Chaereas and Callirhoe: Religions and Politics do mix’, in: K.
Plut. Caes. # in Greek (Pomp. 60,2). Whether or not Caesar (or Plutarch, or Plutarch’s source, probably Asinius Pollio) feels this to be a quote from Menander, when Chariton makes it the opening of the action of his novel, he gives his mixture of the historical/comic/erotic a mischievously Caesarian precedent. Look there, says Chariton, Caesar had been messing about on the boundaries between the historical and the erotic long before I got down to work. And in terms of the novel’s structure, just as Caesar’s plunge across the Rubicon initiates the civil strife that is only fully brought to an end in Augustus’ empire, Theron’s decision initiates the travels of Callirhoe; it is in this sense the foundation of her adventure, an adventure whose happy ending in Syracuse restores to order what Sicilian piracy brought into chaos.
Chronotope and locus amoenus in Daphnis and Chloe and Pleasantville MARTIN M . W INKLER Fairfax, Virginia Longus’ novel Daphnis and Chloe may be characterized as a “song of innocence and of experience,” to appropriate a famous title by William Blake. In the novel, innocence and experience work on two levels. One is within the story, which describes the protagonists’ journey of erotic self-discovery from a state of naiveté to sexual knowledge, a journey that culminates in their marriage and parenthood.