Capital beyond Borders: States and Firms in the Auto by Kenneth P. Thomas

By Kenneth P. Thomas

This ebook demanding situations the verified knowledge in regards to the stability of bargaining strength among multinational agencies and host governments. so much theories, starting with Raymond Vernon's, declare that the bargaining energy of host states should still bring up through the years. This paintings indicates the other is correct, a minimum of for the auto within the industrialized international. the cause of this is often the transforming into mobility of creation, which undercuts host states' bargaining positions. Capital mobility is hence significant to either firm-state relatives and IPE as a rule.

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Extra info for Capital beyond Borders: States and Firms in the Auto Industry, 1960–94 (International Political Economy Series)

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In its printed version, however, the comedia generally appeared alone. The most important factor in the performance of the comedia was the text itself; props, costumes, and stage effects were extremely simple. The comedia drew on a wide range of subject matter from history, legend, mythology, Biblical stories, medieval epics, folklore, saints’ lives, and contemporary Spanish life, both urban and rural. Whether comic or tragic, and regardless of the setting in time or place, its most consistent characteristic was its reflection of contemporary language, customs, and relationships.

Contemporary manuscript versions exist for many of these plays, which provides the added confirmation of whether or not the manuscript was censored and licensed for performance. Although modern editions exist of many of these plays, they are often compiled from various versions of the plays. The modern editor may try to recreate a version as close as possible to the original intent of the author, or one that is as accessible as possible to the modern reader. Both of these approaches involve altering the original seventeenth-century text as it was read and heard by its audience, whether by restoring censored passages or by choosing a later, more 76 The seven that I have left out of this analysis either dealt with royal ministers more than kings, or featured kings as “deux ex machina” figures who only appear at the end of a play rather than figuring in the principal action.

Performances were held in the corral de la Cruz almost immediately after it was purchased by the confraternities, implying that 9 For the construction of the Corral de la Cruz, see Thomas Middleton, “El urbanismo madrileño y la fundación del Corral de la Cruz;” for the Corral del Príncipe, see John J. Allen, The Reconstruction of a Spanish Golden Age Playhouse: El Corral del Príncipe, 1583–1744 (Gainesville, 1983). 10 Shergold, A History of the Spanish Stage, pp. 195–6. 11 Once the Príncipe and the Cruz were established as fixed performance places, however, both staging and seating for the audience could become more complex.

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