Chinese in a Flash (Volume 2) by Philip Yungkin Lee

By Philip Yungkin Lee

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In response to popular demand, two additional day classes (life and portrait) were added to the curriculum Courses given here are arranged along two main lines of commercial and fine arts. In these courses the first year is devoted to general art training and after that the students may specialize according to their own bent. In the same interview, he expressed his ideas about art instruction: I have no set system and no theories. One can't have in art, for artists must be individuals. Lectures at rare intervals have value but in general my idea, if I can only obtain the time, is to know every student here and know his and her weakness and strength.

Arthur Stoughton, a member of the Art Committee, described this visit in the Manitoba Free Press: To aid Gebhardt in the operation of the School, L. LeMoine FitzGerald was appointed a full-time instructor and C. W. Metge, Lars Haukaness, and Vera Man were offered positions as occasional instructors. The 1924-25 Prospectus, issued in January, 1925, listed Gebhardt as an instructor in life, painting, composition, perspective, and applied and graphic arts and FitzGerald as an instructor in antique, still life and design.

Minutes from a meeting held on March 20, 1913, reported a discussion which centred on "the difference between teaching in an Art School centre like Glasgow, surrounded by all the usual art inspiring environments and a city like Winnipeg... "6 Thus, it was proposed that Musgrove be brought to Winnipeg for an interview and be given an opportunity to see what he was up against; however, something led to a change of mind-probably the time and extra expense involved. Hence, the Art Committee decided to hire Musgrove sight unseen, as recorded in the minutes for the March meeting: "The optimistic tone of Mr.

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